目前分類:藝術課 (8)

瀏覽方式: 標題列表 簡短摘要

代代相傳歌中之歌 A LEGACY TO PASS ON      孫德珍
     


一個以多元智能為教學手段、以人文主軸為課程目標、以品格第一為課程核心、以強健體魄為生活態度的實驗學校。


 


油桐花的故事:
這是油桐樹,五月花開如飛雪,要看花,必須從上面俯瞰,
或是等它飄落滿地…




有很多孩子像油桐花,它飄落滿地才會引起注意。



五色鳥的故事:
五色鳥是一種啄木鳥,他沒有固定的家,但是不論他到哪裡,都以嘹亮的歌聲喚醒沉睡的花蕾。



山泉的故事:
山泉原是天上的雲霧。
他看過雲起時,到過水窮處,
為了實現夢想,他從高處往低處流,
滋潤了別人,也弄髒自己。
他總是在別人的故事裡...流自己的眼淚。



長滿青苔的大石頭:
這是一塊大頑石,除了地震,沒有人能叫它點頭。
山泉,以溫柔的堅持陪伴,以心疼的淚水浸潤。
終於有一天,它長滿青苔...不再苦澀。



這些故事
相遇在新竹,為台灣的教育改革交織出一首動人雅歌。
雅歌小學,亞洲第一所多元智能實驗學校。

教改當問的幾個問題

1.我們想教出怎樣的孩子?


2.孩子該學什麼?


3.孩子怎樣才學得會?


4.孩子怎樣才願意學?


5.我們如何教?


6.我們如何評量?




雅歌的教改答案


1.我們想教出怎樣的孩子?


  Willing  我願意-- 生命舞臺


  Original 我本色-- 智能舞臺


  Respect  我尊重-- 大師文化


  Legacy  我在乎-- 雅歌不輟


  Daring  我不怕-- 有膽有識




2.孩子該學什麼?


  雅歌的課程內涵


  人文教育


  藝術教育


  品格教育


  健康教育




3.孩子怎樣才學得會?


  如果我們允許每個人用他最擅長的方式學習,
  並接受不同的步調,
  每個人的生命都可以是一首動人的雅歌。



4.孩子怎樣才願意學?


  唯有我們能讓一個人能擇其所愛,才能讓他愛其所擇。




5.我們如何教?


我們想要透過生活經驗,喚醒孩子的感覺,


讓孩子帶著感覺學習,


並因享受能呈現自己感覺而喜歡學習。




6.我們如何評量?


多元智能進步型評量不以紙筆測驗的分數為孩子排名次,而是尊重個別差異,以每個人的進步狀況描述進展,觀察參與度記錄動機,並依據不同領域觀察結果實施質的評量,呈現「老師眼中的孩子」。




  十多年舉國震盪,教改不能就這樣不了了之,
請幫助雅歌復校,給雅歌一塊可以播種之地,
讓雅歌的教育開花結果,滋潤這塊土地。




雅歌課程架構


1. 藝術教育
藝術是一個人覺知的眼光,始於對環境有感覺,透過掌握重點、刪掉枝節,學習如何學習,並內化成個人的語言,創作出對世界的回饋。
2.  品格教育  
品格是一個人心智的習慣,始於思維的釐清,成於習慣的建立。品格教育教人:追求生命的最高品質,學習高手的習慣;活出個體的最大格局,培養領袖的特質。
3. 人文教育
人文是一種和諧同工的胸懷,始於對自己的認識,在與環境的互動中,尋求衝突的解決,凝聚智慧,傳承文化。
4. 健康教育
健康是指一個人生理、心理及社會適應三個方面全部良好的一種狀況,而不僅僅是指沒有生病或者體質健壯。 

  


雅歌人相信什麼?


Awakening   喚醒
雅歌人相信,教育的意義不在輸入知識,而在喚醒智能。雅歌根據多元智能理論,提供孩子一個智能舞台,幫助每個孩子融解弱勢領域,發展強勢領域,使每個孩子都有成功的機會。


Realization 實現
雅歌人相信,唯有讓一個人擇其所愛,才能要求他愛其所擇。雅歌根據內在動機理論,提供孩子一個生命舞台,幫助每個孩子透過積極的成長,實現自我,參與社會。


Circumstance環境
雅歌人相信,陪孩子學習需要先營造環境。雅歌積極營造學習環境,讓多感官的學習,提昇學習的吸收率;透過藝術教育強化注意力、專注力、及自動化的技巧,增進學習效果。


Offering    奉獻
雅歌人相信,教育之道無它,愛與榜樣而已。雅歌的家長無怨的配合,雅歌的老師無悔的奉獻,親師積極合作,提供愛與榜樣,幫助孩子建立良好的習慣。




雅歌素描


雅歌以品格教育為課程的核心,以藝術教育為學習的手段,建立在三年一輪的人文主軸上,讓學生發展強健的體魄,以藝術眼光和邏輯思維與世界對話。


在這裡,親師之間沒有猜忌,只有共識,一起營造良好學習環境,幫助孩子建立習慣。


在這裡,學習是完整的,目標是清楚的,大人不是教,而是陪孩子學習,每個人都學習如何學習。


在這裡,犯錯是有機會改過的,因為學習者是教育的中心,犯錯被接納,允許修正。


在這裡,評量是幫助學習者「統整」他所學,是為了把孩子教到會,而不是把人貼標籤。


     在這裡,每個人都可以有舞台,都可以被接納。

 
在這裡,每個人和自己比。




 我不是荒山,我是礦脈。
(沒有學不會的孩子,只有找不到方法的大人。)


謝謝觀賞!

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2009/09/01文如美的分享
今天上了油桐班的藝術課,是因為孩子們的藝術素養太高了?還是只是因為小貓兩三隻,讓我更看清孩子們的特質?我們動手畫了玻璃、討論了他們對藝術課的看法、然後我介紹了一位大師-畢卡索給大家,以下是大師激發靈感後的創作。到了高年段孩子還能對畫畫完全沒有恐懼,拿起筆來自在塗鴉又能展現自我,真讓我高興!







回家的路上女兒開心的跟我說:大孫老師講的故事真好聽!一路唱著

:不不不...,我們配不來...。他們的滿足我知道,因為我就是被大孫老師說故事的功力深深吸引來的!

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2009


讓教育的熱忱在這裡流動,讓雅歌成為台灣教育界的一潭活水。
歡迎新進老師(陸續增加中)


專業講座
謝志宏:國立交通大學科技管理博士(科技)
曾蘭婷:台灣大學建築與城鄉研究所博士(社會)


陳光漢:美國愛荷華州立大學航空力學博士(科學)
李德茹:交通大學化學博士(化學)


專任教師
孫德珍:美國俄亥俄州立大學音樂教育博士(音樂、研究)
林秀珊:法國里昂呂米埃大學音樂碩士(音樂)
徐僑伶:台北市立教育大學音樂教育碩士(音樂、語文)
彭詩倩:英國University of Essex社會學碩士(英文)
陳思妤:花蓮教育大學教育系(社會)
賴政育:中原大學建築研究所(社會、體育)
簡佳玲:台北市立體育學院碩士(體育)
王新閔:慈濟大學教育研究所碩士(自然)
王資斐:中原大學數學系(數學)
周林慶:加拿大馬基爾大學小提琴碩士(小提琴)
黃靜枚:加拿大馬基爾大學音樂系(大提琴)


顧問:
顏振寧:台灣師大中文系(語文)
姜文如:新竹教育大學藝術教育碩士(藝術、語文)
林瓊綺:台灣師大國文系(文史)


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                  2009


雅歌復校,教師甄試是一項大工程。


104人力銀行登出徵人廣告後,大批的履歷湧入,幾百封履歷中,通過執行秘書過濾的,不到十分之一,再讓我挑出可以面談的,所剩不到半百。


因著雅歌的任務不同於一般教師,教師甄試的題目也著重於專業素養及統整能力,面談的時候,再加上人格特質的觀察,確實嚇退一些教師。


甄試的方式不同於制式教師甄試,每位教師拿到一組試卷:包括相關科目的教學活動設計、學習單、或是學生上課筆記,應徵者必須透過這些紀錄推論上課的畫面,說出這堂課教師所設計的情境,並且抓到該堂課的重點。
我挑戰應徵者專業的素養,並且警告他們要學得很多,可能會感到自己所既有的被否定,需要從頭學習。有老師擔心雅歌要求的不是他們可以貢獻的,或是覺得雅歌的課程難度太高,比上研究所還難;但是也有幾位在聽到這樣的挑戰時,眼睛發亮,覺得這是鍛鍊自己千載難逢的機會。


培訓的第一天也是複試的重要關鍵。考試的第一關老師們被挑戰如何在我示範的課程中找到重點:知識、技能、品格。第二關老師們分成三組,各示範一堂教學:語文、藝文與科學。教師們都卯足全力討論、設計,並使出渾身解數,想把課堂教得精彩。藝文組試教雅歌校歌,著墨於雅歌不同時期的特色,用小提琴和單簧管伴奏,好容易才把大家教會。最後學生們分為兩組表演,大家都擠到第一組有伴奏一起唱的,只有一位主動要求無伴奏獨唱,我們看到了膽識。


第二組做多元智能的測驗,數理社會組的老師試著用關連切入,讓學生很快抓到自己的智能,大家對這樣的學校有一點概念。第三組語文組,提供兩個情境給學生,讓他們透過演出,對團隊有概念。老師們當學生,演出戲劇時增進了彼此的互動,事後非常珍惜這份相遇,散會後居然想要聯誼。


中午用餐時,大家聊天,有一位老師忍不住問我為何創辦雅歌。原來,他在研究所上課時,教授提到我的課堂很推崇,他今天親眼見到非常稀奇。也有老師表示,即使不被錄取,仍然非常希望有機會常來參加雅歌的培訓,可以用在自己的教學上,大家已經流露出對團隊的嚮往,一整天都沒有競爭的火藥味。


最後一堂由政育回答有關行政部份,首先有人問他的專長,他回答:非營利組織。這樣的反應讓大家意外,卻對雅歌及對台灣這塊土地有新的感覺。自從雅歌基金會重出,整個組織架構的格局開始醞釀,像一朵白荷從淤泥中展翅上騰,雅歌復校的使命是一首動人的詩篇,不再是一首未完的悲歌。


甄選出來九位教師在學經歷及個人特質上都讓人滿意,他們大多是選定教師這個專業又繼續到研究所鑽研,也有工作經驗,不少人特別因為雅歌願意放棄原有工作。
我感謝上帝,每天我都可以為雅歌的每一件事把榮耀歸給祂!上帝不僅讓我這些年受到操練,預備許多雅歌復校所需的能量;他也讓政育在這十年中,預備如此充沛的能量。


 


五色鳥敲著鼓
喚醒沉睡的的音符
桐花撫慰山泉水
招來好奇的青苔
寶山立竿  山湖澆灌
芎林飄逸  峨眉傳奇
吐蕊雅歌  天地人合
乘弓遠颺  實現夢想
當愛夠深  沒有不可能
生命的弓展翅上騰


當愛夠深  沒有不可能
乘著生命的弓展翅上騰


 


 

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地圖方案       -概念中心課程發展紀實                    鍾月容                         


緣起


    1994年,新竹師院孫德珍教授開始到竹師附小幼稚園實施臨床教學。孫老師著有《音樂的生活》,從本土文化的資源,發展出一套為中國孩子及老師設計的課程,為中國人在幼兒音樂教育史上寫下了重要的一頁。多年來,她致力於發展一套以概念中心聯絡各科的課程架構,在博士班的時候又鑽研《電腦學習環境》的理論,並逐步尋求同樣的理念運用在非電腦的科學上,使得學習環境的經營設計成為課持發展的樞紐;透過概念中心的架構,巧妙的溶合各領域的經驗於生活化的活動中。


    孫老師在我們的邀請下,從今年初起,每週撥兩整天來校帶我們研習新教育理念(賈德訥的多元智能理論、醞釀中的學習環境理論),並進行概念中心課程設計。我們花了半年的時間瞭解七大致能領域(語文、空間、體能、音樂、理則、自我、社會),就各領域建立教材資料庫。在不斷腦力激盪、討論與修正後,七大領域被概念所聯絡,方案也一一醞釀,整個課程的雛型終於呈現。本年度我們所進行的課程以青蛙為主題設計了六個方案,包括地圖(小青蛙討老婆)、蓋房子(小青蛙成家)、我的書(寶寶出生)、選女婿(寶寶長大)、結婚、交通工具(渡蜜月)等。


地圖方案


    整個地圖方案由動物的婚禮揭開序幕。平時小朋友常和父母親參加親朋好友的婚禮喜宴,但並不知他們是如何成雙成對的。也許有小朋友會說:「他喜歡她,她喜歡他,就結婚啦!」在課程架構上我們先讓孩子瞭解各種動物求偶的過程。從動物的婚禮中小朋友發現,每一種動物求偶的情形都不一樣,談戀愛的方式也不同,而且最重要的是《同類》才行!這就進入《同/異》概念的思考。從這個概念引發出將來更深一層的探討:哪裡一樣,哪裡不一樣?


 


    為此概念在不同的領域中所設計的活動包括:資訊性(讀故事、說故事、走迷宮),思考性(尋找同類、分類、故事回想、討論分享、地圖修正),建構性(製作地圖、服裝道具),創造性(紅綠燈音樂創作、設計迷宮、故事書創作)與模擬性(地圖實現、歌劇排練與演出、故事書發表)等。


整理資訊→提出重點→架構地圖


    在讀完故事《動物的婚禮》後,老師請小朋友幫教室中的東西找伴。幾分鐘後,小朋友把找到的東西和大家分享,然後共同討論其中的異/同點。接著我們把小青蛙找老婆的音樂故事帶入,故事中小青蛙走過一段旅程,遇見幾個聽起來一樣(語音)的動物:花貓、蜘蛛、八哥、烏龜等。然而這些動物都告訴小青蛙「我們配不來」,直到小青蛙找到另一之青蛙(姑娘),她才承認和小青蛙是真正的同類,願意嫁給小青蛙。


    本課程中說故事或讀故事後都有《資訊整理》,由老師幫助小朋友們回想故事,清楚故事的順序,並《提出重點》。當幼兒試著以自己的方式畫出地圖化的故事時,教師可以從孩子的畫中觀察其概念發展的狀況。由於第一次接觸《概念中心課程》,又是方案的呈現方式,孩子們在這個階段並未完全進入狀況,畫中所呈現的偏重角色的描述。


故事實現→地圖修正→再現


    為了增強幼兒對整個故事的瞭解,我們設計了故事實現的戶外教學,讓他們親身經歷自己畫的地圖,及故事中的情節。第二天,男生扮演故事中的青蛙先生,女生扮演青蛙姑娘,家長協助支援扮演貓頭鷹、花貓、蜘蛛、八哥、烏龜等。


    藉著地圖的指引,小青蛙先從校園池塘邊開始,請教貓頭鷹如何才能討到老婆?貓頭鷹回答要《一樣》才行,但是沒有說明怎樣一樣。小青蛙在校門口遇見花貓求親不成,走到十字路口過了紅綠燈,如預期的找到蜘蛛,再次求親被拒。


接著出現的問題是:要走多遠才會到下一個目標?小朋友們討論了一會,發現地圖沒有足夠的資料,決定回去後要修改地圖,也有人開始數房子,以供下次修改時參考。終於找到西門聖教會,遇見八哥,求親也一樣沒有成功。下一站碰到叉路,小朋友討論後決定先試試看右轉,嘗試成功後覺得地圖不只應該提供順序,也要把方向畫出來。


    青蛙先生們在天公壇遇見烏龜,同樣被婉拒,再到天宮壇涼亭,找到自己喜歡的青蛙姑娘。在得到青蛙姑娘答應婚事後,青蛙先生牽著青蛙姑娘拍照留念,並牽著手快樂的回到幼稚園。


    經過地圖實現,幼兒對整個故事及地圖概念更清晰。老師讓小朋友們分享自己畫的地圖時,有些小朋友發現自己畫得不夠完整,便要求再修正、補充。有人在途中多了房子,有人在圖中加畫了箭頭,更有一幼兒注意到其中一段路上有籬笆。有一位把蜘蛛的足畫成左五右三,原來她畫一邊不小心化了五隻,只好另一邊畫三隻,「因為蜘蛛只有八隻腳」。大多數的幼兒在一個簡單的房子上畫了一個十字代表教堂,在一個長方型中畫紅黃綠三個圈代表紅綠燈,並且在該處地上加了斑馬線。


    修正以後的地圖顯得更清楚、更完整,一半以上的幼兒對方向、位置有了較清楚的概念。而集體創作還提供孩子們觀摩的機會,讓無從下筆的看著同學的作品依樣畫葫蘆。雖然故事實現中,幼兒經歷的是打扮過的角色(穿戴動物頭套的家長),但幼兒在畫中卻將之還原成原來的動物。象徵性的手法在此活動中得到有趣的體驗。


故事再現:歌劇演出&故事書製作


    為了讓幼兒將故事實現,小朋友實際的參與故事情境設計及角色分配。當好戲開鑼,小朋友們穿帶著自己製作的道具、服裝,在空地模擬出來的立體地圖(舞台)上,以歌劇的方式將整個故事呈現出來。由於本園目前受到場地的限制,只能上半日班。情境佈置與保留上有很大的困難,歌劇的演出缺乏合適的場地,演出時在臨場感方面並沒有達到理想中的熱絡。建議有心者在下一次的實驗中,找到一個全日制的教室,以利情境發展。


    經過了幾次故事重現,小朋友對故事更熟悉,製作故事書的過程也順力多了。幼兒們分組合作、分配段落、以他們的筆,選不同的材料,循他們的邏輯,快快樂樂的做出不同版本的故事書。故事書裝訂成冊後,幼兒們展示、介紹自己的作品,地圖方案在一片歡新的氣氛中結束,第二個方案「蓋房子」也以蓄勢待發,準備推出。

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Serving Christian Education at the Elementary and Secondary Levels:
A Review of the Process of the Educational Reformation of Arco School


Dr. Der-Jen Sun


Christ’s College
Taipei, Taiwan


 




ABSTRACT


Arco School, one of the four alternative schools during the period of Educational Reformation in Taiwan, was founded to enhance student’s learning ability and motivation. The purpose of this paper is to review the process of educational reformation from theory to practice and to discuss its successes and limitations that may bring about suggestions for educators and policy makers in the future.


The vision of Arco was to create an elementary school that would satisfy students, teachers, and parents simultaneously. The founder sought to reunite trust among these three groups and make it a win/win situation for all stakeholders. In order to reach this goal, the school had to make students capable of and willing to, learn. For this purpose, the learning environment had to help all types of learners to excel, and the curriculum had to inspire every student to explore a vision for his or her life and create a desire for its fulfillment.


The environment was based on a Multiple Intelligence School model that included: mixed age classes, the use of Suzuki violin method, a project approach, whole language learning, equal time given to all subjects, and a humanity based theme cycle. The curriculum was based on character education as its core value, applied art education as its tool of learning, and encompassed humanistic education as its goal. The students were involved in the development of the school through which they learned how to solve problems. The relationships among teachers, students and parents were full of trust. The highest penalty for students who offended school rules was to stay home for a day.


One of Arco’s traditions was a formal performance of小池王國, The Small Pond Kingdom, a children’s musical about the transformation from a tadpole to a frog. Through the preparation of this play, the entire school developed a model of an interdisciplinary curriculum. 


After 10 years, Arco developed a high reputation for student achievement both in academics and character. In 2004, Professor Huang Kuang-Kuo 黃光國in his “Ten Thousand Words about Taiwan’s Educational Reformation教改萬言書named Arco as a school that “really knew how to effectively do school reformat that time. Nevertheless, the school also was suffering from the lack of legal land and registration. In 2002, Arco was given a public school, Da-Pin Elementary School, to operate and it merged with that school.


Key word: Multiple Intelligence Theory, Mixed Age, Character education, Art and Humanities.


 



Introduction


On April 10, 1994, a mass parade was organized in Taipei to demand reform in the education policies to ensure that a student could have a childhood that was happy and healthy. This organization- the League of 410 Education Reform, called for participants in all areas to join the movement. One of their leaders, Yu-Yen Liu劉玉燕, an educator in early childhood education, came to Hsin-Chu to look for someone to take charge in this area. In response to Liu’s request, Der-Jen Sun, an educator who was trained in the United States and was teaching at National Hsin-Chu Teachers College, agreed to devote her efforts in promoting a new education reform in Hsin-Chu.


In 1995, the ARCO Declaration was proposed. Based on the theory of Multiple Intelligences, Der-Jen Sun designed a school that sought to enhance student’s capabilities and motivation in learning. This project began within a public school and later became Arco School, one of the four alternative schools that created a profound impact on education reform in Taiwan.


Arco School, the first MI school in Asia, was established to create an elementary school that would satisfy students, teachers, and parents simultaneously. In order to understand the problems in the school system and implement a theory into practice, the founder traveled all over the country. She listened to the problems teachers encountered, and gave seminars to empower their ability in teaching. Finally, she completed a curriculum that was easy to approach students and more effective in learning achievement.


Shan-Hu Branch School was the first elementary school to implement the Arco Declaration and the results were impressive. However, the operation lacked an environment that could accept people who wished to join in or walk out, including both teachers and students. In other words, while there were no extra openings for people on the waiting list, there was a group of people who could not leave. This then created a need to set up an alternative school that allowed this choice.


A Historical Background

Teachers College Kindergarten 竹師附幼時期 1994


Dr. Der-Jen Sun was the first educator to bring the theory of Multiple Intelligences to Taiwan. She first introduced this theory to six teachers in the kindergarten where they conducted an experiment with an interdisciplinary approach. The mission of the experiment was to explore the function of art education to elevate academic achievement. The outcome received a positive response, and people involved requested the curriculum to extend to the elementary level.


Shan-Hu Branch School  山湖分校時期 1995


Mr. Fan Chen-Tsung范振宗, the Governor of Hsin-Chu County, was delighted to hear of the Arco Declaration and decided to support this reform movement. In 1995, he offered a reputable public elementary school for Sun to carry out the vision. However, to everyone’s surprise, Sun declined the one offered, and chose Shan-Hu Branch School, a forgotten school in a remote area with only 11 students left. 


She began teachers’ training in the summer and organized a group of parents to prepare the learning environment, and created a curriculum that was new to anyone. The mission of the experiment continued to explore the function of art education to elevate academic achievement, and to develop the application of character education as the core to a curriculum. Many people did not understand what MI theory was, but were attracted by the fact of a new school that could bring hope to them.


At the time Sun began the experiment, student enrollment immediately increased six times. Shan-Hu Branch School attracted the attention from media and people from other cities came to observe the operation. The whole school was excited in unfolding a curriculum that was creative and inspiring. For example, the commencement service, an activity that often seemed boring to students in the past, now turned out so impressive that children often talk about it and will never forget it. The classes were full of surprises that turned students into active learners. Textbooks were put away and the materials for learning were folded inside a series of activities. Students now loved to go to school and stayed focused in order to make new discoveries.


Being a branch school, Shan-Hu had limited room to accommodate students. Pressure was gradually built up as people crowded to observe and learn and parents move from out of town in order to enroll their children. The increased reputation came too soon that soon everyone in the school felt overwhelmed.  The teachers were especially burdened. The desire for privacy emerged, and some teachers called for a stop.  


The curriculum of the experiment seemed to impact children in a way beyond comprehension. Children were too happy that parents could not image how they would survive when entering middle school that was not meant to be a happy time in life. To parents’ annoyance, students who were obedient before now began to express their feelings and their thinking.  They were reluctant to see the change of life and wished to move out of the experiment. Sun tried to explain to the parents that the way to effective learning did not have to sacrifice happiness and that the building of character could only progress when children began to think. However, what she said did not make sense to people at that time.


Another problem was that the teachers at Shan-Hu were there before the experiment began. Many of them chose to teach at a remote school for their own personal reasons. Therefore, to carry on of the experiment for the second year became an issue for some who did not wish to continue, and there was no law to transfer those teachers who wished to leave. There was a need for a new place that all students and teachers had a choice to attend or not to participate.


Chung-Lin Campus 芎林雅歌時期 1997


In 1997, Arco School was founded when students who wished to continue the experiment split from Shan-Hu. It was a painful decision to make because there was no other legal campus to accommodate this experiment, and the only way to implement the vision was to take people who wished to join. The separation happened at a time of election when the new Governor came from another party, and the walking away from Shan-Hu turned Arco into an illegal school. Students immediately were forced to go back to their regular school, yet all of them rejected. The media and people who cared for Arco raised their voices to support Arco. Principals from some other cities offered a cover to accept Arco students through a process similar to home schooling. Students were only required to go back to those schools to take tests according to the school calendar. There was a threat for the founder to be put in jail, if arrested. Parents gave their words to protect the founder and vowed to go to jail together.


Besides the political and legal situation, Arco unfolded a most beautiful picture. The word ‘crisis’ in Chinese means danger but also opportunity. The process of the reformation forced us to go through a series of problem-solving sessions while forming the new school.  The lack of resources challenged the teachers to create opportunities from zero. The way the teachers handled the crisis and the wisdom in making things possible provided great examples for the students and the legacy was passed on. 


Arco had an impressive way to launch its first semester. The year Arco withdrew from Shan-Hu, nothing physical was taken away. Chung-Lin Campus was an empty house in need of all kinds of materials to make it a school. A principal from another school kindly offered some recycled desks for Arco students. Seeing the desks were not pleasing to students’ eyes, parents were willing to pay for new desks. Sun suggested that it was not necessary and predicted that children would compete for the worst ones. Parents wondered what kind of magic would happen.


By the third year our theme was “let us make a difference.” During the first week, when students saw the piles of desks n the yard, they asked if they could use them. Sun replied with a story and told students that there was going to be a chance to adopt some desks that were not perfect any more. Only those who had a heart for the poor should apply to be the master of one of these desks. Before and after pictures would be taken of the desks after one week’s time.  Students were very interested in taking the recycled desks and many asked for the worst one. In the following week, parents were amazed with their children’s passionate behavior. Students washed their desks, sanded the rugged surface, filled the cut scars and repainted anew. Letters were written to each desk to show empathy and words granted to assure their proper care in the future. It was during this kind of interaction that students learned to cherish something that seemed wretched and knew that inside every life, there could be a beautiful untold story.


Parents came to nail the blackboard and students decorated the classroom. A field was rented to make a playground. Three former bedrooms were turned into small classrooms, the living room was designed as a multi-function hall that could be a meeting area or a place for indoor performances, and the kitchen was sometimes used for private sessions. The yard was covered as a big porch and podium set to make a stage. A large room was arranged to be the library where many students could read, and a small room was the office.


The point of no return--The resignation


For the two years at Chung-Lin, Arco received nice complements and was awarded some honors and some grants to carry out its dream. However, the status of not being registered was a shadow to all. It finally reached the point of no return that the founder had to make a sacrifice in resigning her college post if Arco was to keep going. The making of this decision was of high concern among people who cared for Arco and Sun. The local newspaper gave half a page to announce and discuss the resignation.  


The resignation did not save Arco from its illegal position in the eyes of the government. A committee was formed from the bureau of education to evaluate Arco. The first thing some officer did was measure the stairway, and then immediately disqualified the school. Parents tried to persuade the committees about how well their children were doing at this school and that they really did not want to see the school terminate. The appeal was refuted and the house scheduled to be torn down.


Invitation to Hsin-Chu City


Not long before this evaluation, the Mayor of Hsin-Chu City, Mr. Tsai came to visit Arco. He had heard of Arco’s achievements and was quite impressed with Dr. Sun’s educational philosophy. In order to listen and discuss educational issues with Sun, he made an official visitation to Arco. His panel expected that his stay would be no more than ten minutes yet it turned out to be a whole afternoon. He listened and asked questions regarding how to make Hsin-Chu City a place for gentlemen through education. He then invited Arco to relocate to his city.


Er-May Campus 峨眉雅歌時期 2000


The relocation of the campus was not easy and the space offered did not seem practical, and Arco needed a place to move out immediately. Land at Er-May Township was offered to solve the crisis and Arco’s team built the squatters in a forest (in 45 days) to greet a new era. Besides the construction of the classrooms, Arco enjoyed the making of the school and put together everything they needed. The path between classrooms were grounded, paved with bricks and surrounded with green grass. All classrooms were one story so that there was no need for a stairway, and there was ample space for kids to run and to explore. Teachers were challenged to use all the space available as a possible classroom in replacing the regular classroom setting. Students could have class basically anywhere the teachers wished and the discoveries could happen anywhere as they were observing.


By this time, the older children were started graduating. An examination was conducted to see if they had developed sufficient competence to fit well into their next level of education. The requirement was to complete a biography in which each life was examined for the past 11 years: how he was educated, what he believed, what his dream was, and what type of character he had developed. In the graduate ceremony, this presentation was projected on the screen while the student played a movement of music on stage.


Every crisis in the history was like throwing a lemon at Arco roughly, yet Arco caught it with faith and made it into a cup of lemonade with gratitude. Each time when the hardship caused another reset for the experiment, it revived the inner strength and brought forward another step in the development of the curriculum.


      Er-May Arco was regarded a legend in the field of education. The Ministry of Education gradually noticed what Arco had accomplished in educational reform and appointed Sun to the MOE Committee. The Arco experience was shared to those struggling in seeking a quality education. The regulation for registration now was liberated again in some aspect, yet Arco was in need of a piece of land suitable for school use. And the financial situation was becoming more severe. It came the time for the liberation of a law permitted a chartered school. An invitation came from the newly elected Governor, Mr. Yung-Chin Cheng鄭永金 who proposed a plan to the County Council and decided to appoint Da-Ping Elementary School as a chartered school where Arco may take charge. Da-Ping was another remote school that needed some help in restoration. To prevent it from closing, the principal went to Arco and asked for the training of teachers to copy the curriculum. It was then considered an opportunity for the merging of the two schools. The residents at Da-Ping were mixed with joy and anxiety: some were grateful for a good curriculum and that resources would be merged.  Others were afraid that Da-Ping might lose its name. An agreement was reached to merge Arco into Da-Ping and Arco’s name was only used for the foundation that ran the chartered school.


Da-Ping Elementary School 公辦民營大坪時期 2002


      Arco finally had a legal campus and was in the system again. There was something even more attractive, it was now a public school so parents had no obligation to pay for the tuition. The number of students increased to its full capacity, 106. Arco devoted all it had to make Da-Ping a public version of Arco. It was a great risk for Arco in case Da-Ping regretted in the future and decided not to continue Arco’s way. However, a grain of wheat could only bear more when it was buried into the soil. The founding of Arco was to impact the system Arco took the chance.


      The time Arco moved in with Da-Ping, the atmosphere of Taiwan’s education reform was maturing. People enrolled their children mostly after they had some knowledge about MI theory. It was expected to be a different situation so that the Shan-Hu effect would not be replicated. Nevertheless, the curriculum received admiration from outside yet was questioned from inside by the teachers. Some Da-Ping teachers were concerned about the family diversity and unconsciously discriminating two types of students. Students from Arco were therefore regarded as the fortunate group and received more accusations that rarely happened at Arco. Teachers from Arco were challenged with bi-culture integration that they needed to work very hard to resolve the threat from the host teachers, and to elevate students who were so much behind their peers in learning. The bi-cultural interaction consumed a great deal of time and energy even though everyone considered themselves highly supportive of the program.


      The most striking factor was the failure to accommodate the founder into the administrative post. Governor Cheng at the final minute stated that he was not able to transfer the previous principal to another school, according to the contract. All of a sudden, the entire situation turned complicated yet the move had been done and there was no way to reverse it. Sun accepted the fact with great determination and led the project as a project advisor. With high respect from everyone at the school, every thing seemed to continue the way it was planed except that Sun had no authority in administration and there was no salary. It had been ten years since she returned to Taiwan and dived into education reform, the dedicated and stressful living now consumed her health into a critical situation and Sun was forced to retreat in order to recuperate. Starting in 2003, Sun stayed in the States and came back to Da-Ping during the summer and winter vacations to conduct seminars.


      The way Da-Ping continued the experiment was still considered a success to the public’s eyes. Since the cost of tuition was the same as a public school, the parents were content with what Da-Ping could provide and the demand for a real Arco type education gradually reduced. After a time those who once studied at Arco graduated from Da-Ping and the Arco School rested in history.


The curriculum
The Vision and Mission 理念與使命


In speaking of education reform, it was necessary to reach the consensus through decent discussion of some questions. The questions should include the reason why the present system needed to change, and what was the feasibility for a new system. To get involved in a huge construction like education reform, every step was too important to be ignored, and the shift of paradigm in education began with asking the right questions. Sun often started her lectures with the following questions.


1.      What kind of students do we wish to educate?


2.      How can we guarantee that all students are capable of learning?


3.      How will a student be willing to learn?


4.      How should we teach?


5.      What should a student learn so that he is well prepared to enter society?


For the key to these questions, Sun would tell many short stories that revealed the way of a school she envisioned. For years, she noticed that students in Taiwan were unhappy with the learning effectiveness because they were not taught how to learn. Schools did not appeal to students because what was taught did not seem to impact a student’s life. She believed that teaching how to learn was as important as teaching what to learn. For this reason, art education became a tool for students to learn and life education was poured into all subjects as the content to explore. While exploring life from many aspects, the need for knowledge and skills in each subject emerged and students became active learners.


A Multiple Intelligence Learning Environment


The vision of Arco was to set up a school that allowed students to learn according to their intelligences and allow students to move at their own pace. In preparing a learning environment implementing multiple intelligences, all subjects should be scheduled equally, and assessment should focus on its progress not result. Teachers must foster intrinsic motivation to engage students in an interdisciplinary collaboration.


At Arco, students were allowed to use their own learning styles and teachers had to accept them just as they were. In order for teachers to fulfill the needs of students in different paces, the classes were arranged with mixed age groups. Teachers decided which grouping was the best mixture for their own class. For example, an opera class might include the entire student body, a language class might combine two grades or three, and sometimes new teachers did choose just one grade in a class. An activity could be designed for the whole class, with different levels of worksheets assigned to students. People were surprised to see that students had different vocabularies in one class, or different worksheets from the same activity.


Suzuki Violin


Music was a part of daily life at Arco. Students started each day with violin lessons or gardening. With a student population under 40 students, Arco had its own orchestra. It took great concentration in learning music: to think by phrase not by note, to listen to each other, to come in at the right time, and to stay silent at the rest.


    The application of Suzuki Violin was one of the activities that associated with art education that promoted multi-sensory learning to increase student’s attention spam. After two years of group lessons, students could choose an instrument for private lesson. Performances were given when needed: in recital, background music, or formal concert. Students volunteered to host the program. Stage was a common scene to see among students drawing of the school.  


Theme based curriculum 三年一輪主題網


The curriculum was organized around themes that helped students to explore life in a broad sense. Each theme wove activities into an interdisciplinary collaboration with all subjects. Teachers were trained to design activities based on the theme, and according to the goal of each subject. For example, a teacher assigned a cooking task to students of first and second graders with the directions on how to make one dish. In order to make a poster to tell the audience and win the votes as the best choice, they had to work in a team and complete their own task. The teacher would decide which goal was to be attained: language, math, arts, or science? The different work could be assigned to different people.


The theme was cycled every three years which explored the content of life education. The first year was to gain the connections: to oneself, to others, and to nature. For example, while acquiring awareness to self, students participated in all kinds of activities that explored how one was connected to many efforts that were taken for granted and learned to appreciate. The second year was the defining of harmony: working in harmony with one self, with others, and with nature. For example, students explored the world based on a multi-cultural perspective and learned to confront the conflicts encountered. As for nature, students explored inventions by learning how to discover and research based on others’ discovery. For the third year, it was a time to internalize the vision into an action. Students at this year went through many difficulties with the school, and learned to solve the problems instead of blaming others. Although the theme repeated every three years, the new atmosphere inspired teachers to innovate new activities that renewed the curriculum.


The Small Pond Kingdom小池王國


A significant tradition at Arco was to perform a children’s opera小池王國, The Small Pond Kingdom, every three years. The founder composed this award winning play in order to demonstrate an interdisciplinary curriculum. Throughout the whole semester, teachers prepared students to give a formal performance. The story was about a small pond that was badly polluted by humans. The tadpoles in the pond built a kingdom with top technology to measure the world, and great passion to fight with the cancer, yet were not able to understand that there was another world above the pond. According to the theory of Dr. Tadpole, the greatest scientist in the pond, a world was not considered to exist if unreachable by a tadpole’s tail. In exploring the content of the story, teachers in all subjects helped students to construct concepts that were related to the subject according to student’s level. Students design the mini stage to get the feel of the stage and recorded their voices into a DVD for the sound track of the performance.


The opera was prepared in an approach that focused on student’s spiritual growth instead of performance outcomes. However, it was always amazing that when something inside a person changed, the transformation of the appearance emerged. The rebirth of the story eventually led to the rebirth of a student’s life. There was no decision from teachers to assign the cast; students picked their characters in a harmonious way with everyone involved. The entire school was revived from this play. The performance was given at the city concert hall before a full house. It was amazing that the audience included families and friends from young to old, yet the performance caught everyone’s breath all the way through. Professor Hsia Hsue-Li, a drama critic, thought the audience was incredible and the performance was a cultural miracle.


The evaluation 評量


A MI school evaluates students’ learning based on progress instead of results. Students were graded under three categories of progress: R (rapid), S (steady), and N (needs help). Each subject were evaluated according to its subdivided goals and recorded with the motivation students exhibited.


There were three types of motivations in students’ learning: intrinsic, extrinsic, and indifferent motivations. For educators who believe in rewarding and punishment, extrinsic motivation was a tool to enhance learning. Intrinsic motivation, on the other hand, was the enjoyment of doing something for the sake of its own with no regard of reward. It was important for teachers at Arco to observe students’ motivation and correlate with the progress of the subject to identify a child’s strength and weakness of their intelligences. As a child showed indifference motivation and needed help in the progress, a weak intelligence was discerned, while the intrinsic motivation combined with rapid progress indicated strength intelligence.


There was another kind of situation beyond the three types of motivation mentioned: the trouble maker who needed attention. To Arco, these students were in need of healing before learning. Teachers would spend extra time to build relationship and trust and avoid labeling. After a while, these students began to notice that teachers did not respond to their challenges but saw their good behavior right away so they changed. There was a student who made a big change in his conduct and credited that to his teacher, “inside my teacher’s heart, there hid an album which only collected my best pictures. I wanted to be good because she could always see that.” Besides progressive evaluation, Arco sent a qualitative evaluation report to parents in a constructive way to describe a student through the teachers’ eyes. Parents and students enjoyed reading it together and felt blessed.


Research Project 研究課


Another course that attracted people from everywhere to observe was the research project. Students at Arco began their learning through the research perspectives. Each semester, a student picked his topic and developed the project for the entire semester, and gave a presentation at the final week. Each week, research teachers would conduct an interview with students one by one in a radio station circumstance. Students would talk about their progress and mention their discoveries. The purpose of the research project was to learn the skills for information processing, a part of learning how to learn, and to present it to the entire class so that students might learn from each other.


During the presentation, students had to choose a method to show the result and give a brief abstract within three minutes. Students were required to focus on the key points with the clear sequence and use their own words. Students would gradually extend their file by gathering data from their continuous readings, and teachers would ask students to process the data into a table format to reduce the length of their articles. Students were very dedicated to their research because it was the choice of their topic, and presented according to their type of intelligence. Arco required every student to complete two books every semester. Besides the research project, the journal 美的分享, or beautiful sharing, recorded the learning and reflection from every day which conversed with parents and teachers.    


Home Works 作業


There were many ways to present home works. For instance, teachers might ask students to prepare for an event which included designing the blessing announcement in the form of a poem, dance, music, drawing, making some gift or baked cookies. The student had to describe why the gift was offered and what was the symbolic representation of the gift. In a class with mixed aged students, the many possible ways to complete a task provided a good demonstration that inspired students’ creativity. It was clear that everyone in a class seemed to know what he was doing.


The Graduation Ceremony 畢業典禮


Time flew by and the students grew up so it was the time for a graduation ceremony. Students were to plan their own version of the ceremony. Usually students would think of something to make an award for everyone. A performance of music was arranged for the graduates of 2001, with a personal biography presented on the screen background. Music was a movement from a sonata level. The biography was developed for the entire semester to exam one’s life in many perspectives: what did he believe in his life? What was his dream? What character did he need to work on in order to carry out that dream? In answering these questions, a student needed to read biographies from many great people to set a role model for oneself and review his own life to make a plan.


Among some educators there was some doubt about the achievements of students from alternative schools. After the ceremony, many guests were deeply impressed and wondered what would happen to these graduates? Would they be happy after middle school? What would they achieve in the college entrance competition? Six years past, these students now were selected into the most desirable universities in Taiwan and admitted under their priority choice at large. The Arco legend was not just a story. 


 


The key to success- a school of quality 優質學校的要訣


Bonstingl identified a school of quality in a status that students enjoy coming to school when teachers focus on ways of enabling every student to succeed (2001). Quality was the key to success. Arco had worked very hard to insist integrity in the process of its education reformation. Quality came from being faithful to what one declared he would do and substituted nothing to what was important. Quality comes from being a person with integrity and integrity demanded a status of whole person. The school of quality must help one to establish a positive difference in our experience of life- mentally, physically, emotionally, and spiritually.


Humanism vs. character education


The education reformation during the last decade demanded liberation of form in a school system in which discipline was the most difficult part to handle. When the rest of the alternative schools focused on the concepts of humanism and emphasized equal respect to all, Arco disagreed. It was the founder’s belief that students who honored their teachers would perform better in the academic achievement because they followed the instruction with full attention. This attitude was emphasized in Arco’s regulation with three respects: respect to the teacher, to oneself, and to the environment.


The respect for the teacher was a part of the character education because attitude was the key to effective learning. At Arco, teachers received the ultimate respect that every one should listen when the behavior was considered improper by a teacher. Second, everyone should respect oneself by doing what one was responsible, and avoiding what was regarded a shame. Third, every one was granted the freedom to live happily so that one’s freedom could not win at other’s expense. It was a very simple regulation and the penalty to stay out of school for a day, was considered cruel.


The Limitation of a MI School 多元智能學校的限制


MI theory has been a trend for the last twenty years and caused an impact to the educational system within and without. Howard Gardner, however, cautioned that 'we must figure out how intelligence and morality can work together to create a world in which a great variety of people will want to live' (Gardner 1999: p4). To a school implementing MI theory, the limitation inevitably was the confrontation of discipline. In speaking of evaluation, to respect children in their own style and to honor their own pace was to tolerate the lack of progress in a traditional standard. Many of us needed to know that when education focused on the change of life, it took time and required patience. In other words, pouring water into a cup to see it filled with water was easier than watering the seeds inside the soil and to see it budding into a life hidden within. The evaluation of an education reform usually cut in at the time when achievements did not come as expected and the character did not build up in a quick way. But it takes patience to become a teacher of character education, and to be patient was to know that there was time for everything. Students remembered that how teachers were patiently walking through the rebellion time with them, yet they learned to respect others from how they were respected and how teachers insisted the bottom line in a gentle way.


Sun had sensed the need for a character education in stabilizing the reform at the beginning of the experiment. For years, she kept developing the theory of a character education and reached a new definition that was well stated in Chinese. Character building was the key that made one seek the highest quality of one’s life and expand the greatest capacity of a person. Character education could not be taught in a passive text but must be learned from an active attitude.     


Bonstingl in his book “school of quality” gave a comparison in describing the shift of paradigm in education. One change was that in traditional classroom success was artificially limited to a few winners while in a quality school continuous improvement and successes were the objectives of schooling (2001, pp.101). This description reflected from a fourth- graders a few months after Arco appeared at Chung-Lin. A transfer student in a trial session told her father that she definitely wanted to transfer to Arco. “Usually, it would not take long to find the best student in a class,” she said, “At Arco everyone could be a star in a different time.” She found that the class was mixed aged and the teacher allowed everyone to be different in pace and style. The teacher was not someone to judge and condemn but a guide to help complete a task. A class was not a single-discipline instruction but interdisciplinary learning.


What Arco achieved in the search of education reform was incredibly enormous, but there were limitations, too. First, the environment that provided multiple intelligences in teaching, learning, and evaluating was not easy to develop at that time. Second, with the theme-based curriculum an interdisciplinary collaboration and the mixed aged instruction, required teachers who were highly competent in their subject areas and patient enough to guide instead of teach. Third, the least important factor that in the end turned out to be the fatal limitation was the legal land and financial problems in creating a private school.  


 


A School based on Christian faith 以神為本之創校精神


The name Arco, literally in Chinese means “Song of the songs”, gave an impression that Arco was a music school. However, after sharing the education philosophy and knowing more about the school, guests usually regarded it as a Christian school although it was not sponsored by a Christian denomination. The way students were educated, the way teachers trained, and the way parents were empowered, shared the same spirit from a biblical foundation.


Students: every student has his own talent and should be accepted just as he is.


In the book of Mathew, Jesus told a parable of the talents. In the story, a man entrusted his money to three servants according to their abilities. As he returned, the one who received five talents gained five more, the one who received two talents gained two more, and the one with one talent did not make any. In responding to the results, the master was equally pleased with the first two who gained as much as granted, and threw the one who made no effort outside.


The story may seem strange to many because the one who gained two was treated the same as the one who gained five. However, students at Arco would have no trouble comprehending this situation because all intelligences were not discriminated in their school. God granted each of us different gifts and expects each of us to be faithful to what we have received. They were just smart in different ways and one needed to hold on faithfully to whatever was given to them.


At Arco, children were granted two stages to accomplish this vision: the stage of intelligence enhanced their capability in learning, and the stage of life developed the passion for learning. For the stage of intelligence, Arco exhibited an equal value among all different intelligences. Children at this school soon discovered that they were all treasures in the teachers’ sight.


Teachers: there were only incompetent teachers but no incapable students


As an educator who trusted multiple intelligence theory, Der-Jen Sun believed that there were only incompetent teachers but no incapable students. As a conductor who often helped players to develop their highest potential, she knew that there must be a way to reach those who need a lift, and an environment to restore those in sleep.


Teachers at Arco were not trained to teach, but to guide students’ learning. The learning environment was to be prepared before the class given so that students may stay awake at all times. In doing this, the example of creation from the book of genesis was studied by teachers in order to understand how God as a teacher: a teacher who prepared the environment before students arrived, a teacher who organized materials in a system that made sense to students and easily followed, a teacher who set examples before he asked students to operate, a teacher who evaluated his work after he performed it, a teacher who planned his work and worked his plan, a teacher who made his students into active learners, and finally, a teacher who knew how to stay focused.


Parents: It takes time to learn a skill, like parenting.


The empowering of the parents is one of the major activities at Arco. As a matter of fact, parents were the first resource to establish this school. Regular seminars were conducted to parents so that they were on the track of what students were learning at the time. There was a radio recording of 14 speeches on the topic of “how to guide a child’s learning” for prospective parents to listen and give feedback. Sun even used Biblical characters to describe the success and failure of being a parent.


Students had to apply for the certificate of pet care by going through a process of parenting experiences. Students from grades 3-6 conducted research on the topic of their pets and devoted care for their pets. Parents usually learned a great deal from their children at this period as they examined their own parenting experiences. In viewing the change of the environment and life, there was a time for everything. As is mentioned in the book of Ecclesiastes chapter3:


There is a time for everything, and a season for every activity under heaven: a time to be born and a time to die, time to plant and a time to uproot, a time to kill and a time to heal, a time to tear down and a time to build, a time to weep and a time to laugh, a time to mourn and a time to dance, a time to scatter stones and a time to gather them, a time to embrace and a time to refrain, a time to search and a time to give up, a time to keep and a time to throw away, a time to tear and a time to mend, a time to be silent and a time to speak, a time to love and a time to hate, a time for war and a time for peace. 


 


Hope: to establish an alternative school 希望:另類學校提供選擇


To establish an alternative school meant to provide hopes for students who needed another option. The Arco Declaration was a solution for all the questions encountered in years in which four beliefs were proposed to establish an alternative school. In the Arco Declaration, Sun believed that education was not a matter of pouring knowledge into a student’s mind but a process of transformation in life little by little. The journey of education was to search the meaning of life by getting three keys to open the door of the future: truth, vision, and character. Without truth, life is helpless. Without vision, life is powerless. Without character, life is hopeless.


What Arco progressed in trying to become a legal private school may seem to be a small step, but the philosophy within the curriculum was a big step for educators at that time. As a Christian who looked at the success in a different perspective, Sun had come a long way. However, her devotion would not turn out a sacrifice because “all things work together for good to those who love God, to those who are the called according to His purpose.  Romans 8:28.





References


Bonstingl, John Jay. (2001)Schools of Quality. California: Corwin Press.


Bruner, J (1960) The Process of Education, Cambridge, Mass.: Harvard University Press.


Csikszentmihalyi, Mihaly (1990). Flow: The Psychology of Optimal Experience. New York: Harper and Row.


Csikszentmihalyi, Mihaly (1996). Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Perennial.


Csikszentmihalyi, Mihaly (1998). Finding Flow: The Psychology of Engagement with Everyday Life. Basic Books.  


Gardner, H. (1975) The Shattered Mind, New York: Knopf.


Gardner, H. (1991) The Unschooled Mind: How children think and how schools should teach, New York: Basic Books.


Gardner, H., & Hatch, T. (1989) multiple intelligences go to school: Educational implications of the theory of multiple intelligences. Educational Researcher, 18(8), 4-9.


Gardner, H., Csikszentmihalyi, M. and Damon, W. (2001) Good Work: Where Excellence and Ethics Meet, New York: Basic Books.


Gardner, Howard (1983; 1993) Frames of Mind: The theory of multiple intelligences, New York: Basic Books.


Gardner, Howard (1989) To Open Minds: Chinese clues to the dilemma of contemporary education, New York: Basic Books.


Gardner, Howard (1999) Intelligence Reframed. Multiple intelligences for the 21st century, New York: Basic Books.


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另類教育

維基百科,自由的百科全書

另類教育指的是和主流體制不同的教育:例如另類學校在家自學學徒制社會教育。另類學校與在家自學、學徒制和社會教育不同之處,在於前者的教育仍在學校當中進行。由於另類學校多半是以一個明確的教育理念為基礎,故又稱為理念教育。以下主要介紹另類學校


雖然多數另類教育學校是由私人或法人經營,但並非全都如此。公立另類學校、公辦民營學校都是公民合作的例子。


目錄


 對體制教育的意義

另類學校在提供學生主流學校之外的其他選擇。另類學校在學制、生活方面都和主流學校不同,而它們之間的個別差異也很大。


另一方面,另類學校對主流體制教育也能產生刺激、借鏡的功能。以台灣為例,在九年一貫課程改革中,參考了許多雅歌小學、種籽學苑的作法和精神。


另外,另類學校可能會慢慢成為主流或龐大到足以與主流學校並立,如德國華德福學校


大部分的另類教育均屬於體制外的的教育學校,能夠對僵化的體制教育產生衝擊,也提供了一個很好的對照組,讓僵化的教育體制有所改變。而主流教育中,以升學為導向,均以分數來評量學生,但對於另類教育的孩子來說,能夠不以分數為導向,讓孩子有更自由、創意的發展。



 對家長和學生的意義

在現代民主國家的人權概念中,父母有權選擇子女所受的教育,不受單一教育體系的限制。如果父母不願接受任何既存的學校教育,在家教育也是一項選擇。而另類學校的存在是教育選擇權的實踐。


另類學校讓學生和家長有多元的選擇機會,能適材適性地接受教育。許多另類學校是由需求相似的家長組織起來創辦的,像種籽學苑



[編輯] 對學術界的意義

另類學校有各自的教育理念、教材教法;在行政組織和生活規範上,也比主流學校有更大的彈性。許多新的教育理念、實踐方式在另類學校能較快地實驗。


蒙特梭利教法、華德福教育體系、民主教育中的學習契約生活公約生活法庭等,都是在另類學校發展出來的。


另類學校為教育界提供多樣性,這對促進其演化有高度價值。



[編輯] 政府資源

面對另類學校,政府可能會視其為促進教育改革的實驗學校而給予補助。


丹麥實行的學券制度中,每位學生都可獲得定額的教育經費補助,不論身在何所學校或在在家自學,彈性最高。


在台灣和香港,另類學校大都被政府視為私立學校或體制外的學校,不易取得補助。


在台灣已通過公辦民營法,使另類學校能有自己的學籍和一定程序的政府資源。



[編輯] 困境

許多國家的另類學校困於法令不備、經費不足、監督及研究機制不善,難以發揮。



[編輯] 著名的另類教育體系

蒙特梭利教育


華德福教育


民主教育


受壓迫者教育



[編輯] 華人世界著名的另類學校

種籽學苑(台灣的小學),一所民主學校


臺北市自主學習實驗計畫(台灣的中學),一所民主學校


森林小學(台灣的小學)


慈心華德福小學(台灣的小學),一所華德福學校


雅歌小學(台灣的小學)


諾瓦小學(台灣的小學)


苗圃蒙特梭利中小學(台灣的小學),目前臺灣唯一一所蒙特梭利學校


全人實驗高級中學(台灣的中學),台灣第一所體制外中學


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書摘一》



























 





 





 



 




本書作者黃光國教授,今年七月下旬為教改前往立法院拜會朝野立院黨團。
本報資料照片/林建榮攝影



 





 







 



【(本文由印刻出版公司獨家授權摘錄)】


前言
發起重建教育連線、主撰「教改萬言書」的台大心理學教授黃光國,將於九月四日發表新書逌教改錯在哪裡?逡全書重點集中在教改推動的建構式教學,從概念上即犯了嚴重的誤讀,誤解知識僅僅是「建構」而已,當然更非學者關起門來可以閉門造車的;加上教改因中研院長李遠哲的領導,取得了改革的動力和合法性,但也因此失去了反省和自我檢討的空間。從而分析教改方向錯在哪裡,李遠哲帶領的十年教改又錯在哪裡。本報特別摘錄其新書各章菁華,提供各方為教改把脈的學者和讀者一個反思和討論的空間


第一章 教改的大方向


誰敢批評李遠哲?


民國九十一年十一月三十日,在《思與言》雜誌社舉辦的「大學教育的本質與危機」研討會上,幾位學術界的朋友談起教改所造成的諸般亂象,有人痛心疾首,有人憂心忡忡。當時有人提到教改運動中的一個怪現象:整個教改運動幾乎都是由一些對教育一知半解的門外漢在主導,真正的教育專家反倒被排擠在外,無法發聲。結果整個教改運動形成「黃鐘毀棄,瓦釜雷鳴」的奇特局面。


當時,政大周祝瑛教授也在座,我知道她是美國加州大學洛杉磯校區的教育學博士,便問她:「既然教改出了這麼多問題,研究教育的學者為什麼不從教育專業的角度,對教改問題提出批評?」她的回答頗令我感到奇怪:「誰敢批評李遠哲?人家是諾貝爾獎得主,我們人微言輕,而且大家都要升等,萬一得罪了人,將來不管是升等,或是申請國科會計畫,都可能有人找你麻煩。誰敢批評李遠哲?」


「誰敢批評李遠哲?」這個說法實在令我感到訝異不止。我警覺到:十幾年來李遠哲挾其卓越的學術成就,在臺灣政治和學術界所佈下的綿密人際關係網絡,及其對整個臺灣社會所造成的「寒蟬效應」。


第二章 我的「陽謀」


在撰寫「教改萬言書」的時候,我的「陽謀」也漸在腦海勾勒成形。依構想,這項計畫應包括三部份:


第一,發表「終結教改亂象,追求優質教育」的宣言(教改萬言書),批判教改所造成的社會後果。


第二,發表周祝瑛教授的專著《誰捉弄了台灣教改》。台灣社會中曾經有許多人捲入教改,每個人功過不一。今周教授著作的前半部,很翔實地描繪了參與教改的主要人物,可以讓社會大眾瞭解:每位教改人物在推動教改過程中所扮演的角色。


第三,發表一篇長文,批判李遠哲教改思想中的「知識虛無主義」及其可能造成的負面效果。


七月廿一日,黨外圓桌論壇的林深靖先生邀請我到青島東路的「非政府組織(NGO)會館」,和夏鑄九、樂學連幹部、以及許多社運團體的領袖,討論台灣教改問題。經過討論,散會時我深刻感覺到:十年教改,已給台灣社會澆上了一桶汽油。只要點上一根「番仔火」,它會像「霹靂火」一般地引爆開來。


2003/08/31 聯合報】


書摘二》誰捉弄了台灣教改?



(本文由印刻出版公司獨家授權摘錄)


第三章 發表「重建教育宣言」


教改現況 「四不一沒有」


七月廿日,「重建教育連線」在台大校友聯誼社召開記者會,發表「重建教育宣言」。我們指出:十年教改已經造成了「政府不負責、老師不支持、家長不放心、學生不快樂、畢業沒有頭路」的「四不一沒有」,甚至加速貧富差距,造成「兩個台灣」的現象。


七月廿日早上,在教育部舉行的記者會上,教育部長黃榮村以「抽刀斷水水更流」形容我國推動教改十年來的亂象。他說,完全「虛心接受」重建教育連線提出的教改萬言書,並誠心邀請這百餘位學者,將建言重點納入今年九月召開的「全國教育發展會議」中討論。黃榮村雖說完全接受教改萬言書,但卻強力為中央研究院院長李遠哲辯護。


針對「重建教育連線」的批評,李遠哲回應說,「教改諮議報告書」是三十位委員,花費兩年時間,做出的總結建議,「有些人沒有看過內容,就任意批評,是非常不幸的。」


李遠哲也表示,國內教改做得不理想,不能說是誰的責任,「沒有誰該負責的問題」,教改結果不該是教育部長一個人承擔,也不是他能掌握。李遠哲認為他參與教改過程,對得起自己的良心;他希望外界能以「大格局」看待教改這件事。


李遠哲的這些論點充份顯示出:他完全沒有「責任倫理」的概念。


第四章 誰捉弄了台灣教改


八月六日早上,心理出版社在台大校友聯誼社,為《誰捉弄了台灣教改?》舉行新書發表會。會後,在記者一再追問下,周祝瑛表示,近十年來,李遠哲對台灣教育的影響,無人能及;而近年來的調查顯示,李遠哲和吳京是對教改影響最大的兩個人。


教改審議機構 為何沒設


在我看來,教改集團推行各種教改計畫時,最嚴重的疏失,是沒有切實執行「諮議報告書」的一項重要建議:「成立國家級教育研究院」。在我看來,這應當就是郭為藩所謂的「常設教改審議機構」。這個建議是十分正確的。更清楚地說,教育政策的釐訂是件十分細緻的社會工程。任何教育政策的興替,在正式施行之前,必須由專職專責的研究機構,以專業知識作為基礎,先作深入的研究,收集各種相關的數據,試驗過一段時間之後,再正式付諸實施。實施之後,還要不斷追蹤研究,遇到問題必須立即設法修正,不能拿學生當白老鼠,貿然推出各種教改措拖,以免造成長期性的後遺症。


第五章 建構新文化


「建構實在論」的科學哲學跟教改學者所主張的「建構主義」是完全不一的。「建構主義」的流派雖然很多,其共同點是:知識是在互動的過程中所建構出來的。藉由教育的過程,人們可以建構出任何的知識。舉鄉土語言教學的例子,ABU DIE DZAUKA看起來像是一連串毫無意義的字串,主張鄉土語言教學的人認為:只要我們從小教兒童讀這些字串,久而久之,他自然會知道:這一串字代表「阿母在灶腳」,我們就可以用這一串字取代漢字,建構出新的台灣文化。


知識建構 基礎應「實在」


然而,「建構實在論」對知識卻有完全不同的看法。建構實在論雖然也同意:知識是人類所建構出來的,可是知識的建構必須以「實在」(reality)作為基礎,必須要能夠經得起科學方法的檢驗,不是一群學者關起門來,就可以憑空「建構」的。


人們在生活世界中所使用的語言是人類經過長久的歷史所建構出來的,它有一定的內在邏輯,構成一種完整的符號體系,它也是一種「實在」,並不是像教改學者所想像的那樣,愛怎麼建構,就可以怎麼建構。譬如:ABU DIE DZAUKA這一串字,一個正在學英語的兒童,可能認得其中「DIE」這個字,在英文裡的意思是「死」,他同時學習英語和這種「新語言」,就可能將這串字「建構」成「阿母死在灶腳」,因為在英語系統裡,「DIE」的意思是「死」,這是一種難以改變的「實在」。


2003/08/31 聯合報】


書摘三》教育重建之路



(本文由印刻出版公司獨家授權摘錄)


第六章 知識虛無主義


建構式數學以全國兩百餘萬學生當白老鼠,實驗六年之後,才匆忙叫停。問題的根本癥結所在,是其哲學基礎在於「建構主義」,而不是「建構實在論」:認為數學的學習,主要在於歷程的建構,而不在於正確的答案。不重視客觀實在的知識,最後終於落入「知識虛無主義」的陷阱,而難以自拔。我們現在面臨的更嚴重問題是:九年一貫課程的哲學基礎也是「建構主義」,也不是「建構實在論」,九年一貫課程全面實施之後,我們恐怕也要墜入「知識虛無主義」的深淵,而難以自拔。


李遠哲認為:以往的教育是「知識導向」的,教改的重點,就是要將它改為「能力導向」的;以往的「填鴨教育」,會造成那種「只會唸書,其他什麼都不懂」的學生。改成「能力導向」的教育之後,「讀死書」的現象就會慢慢減少,就能實現「教育即生活」的理想。他很簡單地將「知識導向」和「能力導向」二元對立,成為九年一貫課程的「最高指導原則」。


李遠哲關心的不是「知識」,而是如何由「大量現代資訊」中累積「新知識和技能」的能力。這種「能力取向」而非「知識取向」的教育,在課程設計方面會有什麼後果?


有常識沒知識 學生寫照


老師在課堂上的責任既然只是要「使學生能夠理解這些要點」,「資料」只是「幫助學生瞭解」,他也可以「找更多的資料來輔助教學」,資料的內容正確與否就變成了次要的問題。只要大家不再「死讀書」,不要搞「填鴨教育」,不要把課本中所談的內容當做「資料」的唯一來源,課本內容有些錯誤又有什麼關係?


許多老師抱怨:這種「樣樣稀鬆,樣樣不通」的課程架構將會使我們的教育沒有聚焦,「看不到學生的未來,也看不到國家的未來」!然而,教改專家們立刻板起臉孔,教訓他們:不要存有「反改革」的心態,存心「唱衰」教改。教改龍頭說得很清楚,這不就是「教育即生活」嗎?


教成學生「有常識,沒知識」。聽到這樣的抱怨,教改專家終於開懷展顏了:這可不就是教改的目標嗎?教改龍頭說得清清楚楚的,教育改革的重點,就是要把以往「知識導向」的教育,改成「能力導向」為主,「有常識,沒知識」才能實現「教育即生活」的理想呀!大家再仔細念念教改龍頭的「李語錄」,就可以知道了!


第七章 「能力導向」的教育


為了結合所謂能力指標,各縣市紛紛推出新的能力指標檢核表,檢核教師是否切實使用每一條「能力指標」評估每一位學生;更荒唐的是,各個學校還要建立「學校本位的能力指標」,在課程計畫中每個學校都要提出所謂的「學校願景」,號稱要凝聚學校所有師生的共識,建立願景,共同往這個願景邁進,甚至用這個所謂學校願景,去編寫自己「學校本位」的能力指標。問題是:有幾個老師知道自己學校的願景是什麼呢?結果每個學校所提出的願景大多是諸如「鄉土心、台灣情、世界觀」之類的政治八股。


能力指標 教師一頭霧水


用這樣的學校願景去編寫「能力指標」,編出來的東西當然還是把七大領域的能力指標再重新組合一次而已,這不是在玩「政治正確」的文字遊戲嗎?


教改集團可能不瞭解:這種「能力指標」是主張「建構主義」或「結構主義」的心理學家做心理學研究的工具,不能拿來做教學評量之用。要用它來評估每一個學生的能力,又要以之作為教學的目標,簡直是荒謬之至!許多教師看到這種「玄之又玄」的能力指標,都會感到一頭霧水,莫測高深。


在〈教改野火集〉中,一位基層教師看到形形色色的各種「能力指標」後,很徨惑的說道:「每一個能力指標,要是拿來當論文寫,其實都可以是一篇篇不可小覷的論文呢。如今卻寄望我們能夠用三言兩語,就能全面又精簡,且豐富又詳細,外加輕鬆又有趣的說給三、四年級,那些剛滿十歲的小娃兒聽,還要讓他們聽懂又覺得有意義,有趣又好記,然後既要內化又能類化。天哪……?」


第八章 教育重建之路


教改專家們所提倡的「教改理念」,根本就是這種替代性學校辦學理念的翻版。其實,在台灣也有一些真正懂得教改的人在推行這種實驗性的另類教育,像李雅卿在台北縣為「毛毛蟲學苑」(後來改為種籽學苑),推行自主學習實驗;像孫德珍創辦「雅歌實驗小學」,進行概念中心實驗課程,推廣多元智能教育,都是十分值得稱道的例子。


問題的關鍵是,不論是在台灣,或是在歐美國家,這些另類學校不僅種類非常多,而且都是實驗性質。由於它們是教師及家長自願設立的,而不是由國家強制成立的,所以任何教育的後果也必須由家長和學生自行承擔。李遠哲在教改集團的哄抬之下,把歐美國家一些試驗性的教育理念搬到台灣來,轉化成他自己的「教改理念」,以台灣數百萬的學童當白老鼠,藉由國家力量的威勢,不管台灣的文化背景,也不顧大多數老師和家長的意願。從一九九四年開始,「由上而下」進行了一場為期將近十年的超大型實驗。


教育 別再夾雜政治考量


任何對心理學稍有瞭解的人都知道:要以「人」作為對象,從事心理學實驗,必須取得參與者的同意;如果參與者未成年,則必須取得父母親的同意。在家長普遍反對的情況下,硬是要拿學童當白老鼠,這種做法符合心理學的研究倫理嗎?把西方國家試驗性的教育計畫,貿然拿到台灣來全面實施,這是以台灣未來的人力素質作賭注,也是以台灣的未來作賭注。請問李遠哲要不要為台灣的教改成敗擔任負責?


台灣的教育必須從政治考量中獨立出來,這是重建台灣教育的不二法門。重建教育連線成立之初,我很清楚地表示:我們不會以「連線」的名義參加九月的「全國教育發展會議」,但我們鼓勵連線成員以個人身分參加會議。其基本立場就是我們不依附政治勢力,不搞「一言堂」,不弄聖經式的「教改白皮書」,也不主張對諾貝爾獎得主之類的人物作「個人崇拜」,希望教育能和政治徹底劃清界限,讓基層教師有發聲的機會。


2003/08/31 聯合報】


南方朔「李遠哲讓教改減少反省能力」



記者張錦弘/台北報導


「李遠哲的存在讓台灣教改減少反省能力。」早年致力黨外活動的新新聞雜誌發行人南方朔,昨天評論中央研究院院長李遠哲的教改功過,他為李遠哲惋惜,稱李遠哲「被台灣社會的惡質政治文化剝削」,被設陷離開自己的專業,掉入教改這個大坑洞,導致「心中的小權威在發酵」,已無法理性面對別人批評教改。


台大社會系教授薛承泰昨天發表新書「十年教改,為誰築夢?」,南方朔等學者應邀致詞。南方朔指出,他畢生研究思想史,對西方文明充滿崇敬之心,因為他們不時反省:「若自己對別人做了很多事,是否會有不安或羞愧之心。」然而根據他的觀察,很多當初搞教改的朋友發現錯誤,沒有一點羞愧之心,反而用「不要煽動階級仇恨」等奇怪的說詞掩飾。


他感嘆,以前罵人的,現在都變成新貴,他期待台灣知識分子覺醒,可以強迫自己不當官,保持清醒,未來開個民間教改會議,教育反省才會成功。


南方朔說,美國現在少說也有一百多個諾貝爾獎得主,但美國社會不會剝削這些人,學化學的,就讓他們講化學,「有權威的分寸」。他深知李遠哲對台灣的熱情,但掉入教改的陷阱後,心中潛藏的權威也慢慢出現,遭到別人批評,就說自己年紀大了,一切都是為了台灣,不能誤解他,其實已訴諸感情,失去公共理性辯論的空間。


南方朔指出,台灣教改最大的錯誤,在於不該直接移植西方經驗,以大學發展為例,美國最好的大學是哈佛等高學費的私校;台灣則不然,最好的學校是國家補助、收費低廉的公立大學。


薛承泰舉廣設高中大學這個教改重要舉措為例,構想本身沒錯,但不是最優先順序,因為早在民國八十五年,台灣的高等教育就學率就已不輸歐美國家,持續廣設學校反而衍生學生素質低落的問題。


「對於改革者,應給予尊敬和掌聲,但我不得不問,教改最大受益者,如果是中上階層的改革者本身,那算什麼改革?」薛承泰指出,十年教改最大的問題在於可能加劇城鄉差距、社會階層,年輕人的價值觀及受教品質也出現危機。


2003/08/31 聯合報】


十年教改總體檢 學者批野蠻



記者潘淑婷/台北報導


繼提出「教改萬言書」後,重建教育連線昨日再度針對十年教改做出總體檢,指這是外行領導內行的「野蠻教改」,九年一貫課程中的「統整教學」更是不尊重教師專業,彰師教研所所長黃德祥形容,統整教學根本是在「捅」學生、「整」老師。


台師大前教務長高強華表示,十年教改雖談鬆綁,卻不管鬆綁之後會導致競爭力下降;想消除文憑主義,卻製造出滿街的大學生,根本是場「野蠻教改」。台師大英語系教授戴維揚則指出教改減輕學生負擔,卻造成國中國小化、國小幼稚園化的「反智」結果。


另外,多位學者也批評九年一貫課程的「統整教學」造成基層教師教學的困難。彰化師範大學教育研究所所長黃德祥表示,統整教學要求老師在專業領域之外,只要再修幾學分就可兼教其他科目,例如音樂老師要教美術、體育老師教健康教育、歷史老師兼教公民和地理。黃德祥說,這種做法根本不尊重專業,「難道修幾個學分就能教音樂嗎?」


一名與會的國中歷史老師也表示,實施統整教學之後,他必須準備公民和地裡的科目,雖然他保證能將歷史教的很好,但其他兩科都是「摸石子過河」,對學生和老師都不公平。


政大教育系教授周祝瑛則表示,教改走到現在,暫時不宜再新訂政策,她建議政府先做一次總檢討,同時盡快建立教改公共論壇,讓關心教育的人都有發聲機會。


【記者張錦弘/台北報導】民進黨立委沈富雄昨天指出,「重建教育連線」學者近日對於十年教改批評,都沒抓到重點。他認為,唯有改變台灣「賽馬式」的升學制度,簡化多元入學,縮減考試科目,讓學生及家長少花點時間比賽廝殺,學生才有更多時間快樂學習。


沈富雄昨天下午本來應邀參加重建教育連線舉辦的「重建教育會議」,但聽到與會者意見紛歧,忍不住中場退席,並抱怨這群批評教改的學者「也正在製造問題」。


沈富雄指出,教育有兩大內涵,一個是教與學,屬於訓練部門;一個是升學與考試,屬於比賽部門,只有先解決比賽的問題,訓練才有辦法正常。他比喻,歐美國家的升學過程像打高爾夫,從小學到研究所這十八洞,自求精進,動作優雅,不會太勾心鬥角;反觀台灣的升學,則是賽馬,鈴聲一響,閘門一開,馬上衝出來,而學生就是馬,家長是馬主,老師是騎師,馬在家長主導下,被老師鞭策向前,扭曲了學習。


2003/08/31 聯合報】


 

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